By Anna Dezeuze
Focusing on comparative case experiences drawn from ecu, North and South American practices, this research maps out a community of comparable matters and practices, whereas outlining its evolution from the Nineteen Sixties to the start of the twenty-first century.
This publication will offer scholars and amateurs of latest artwork and tradition with new insights into modern paintings practices and the severe concerns that they bring up in regards to the fabric prestige of the artwork item, the position of the artist in society, and the relation among artwork and daily life.
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Additional resources for Almost Nothing: Observations on precarious practices in contemporary art
Almost Nothing: Observations on precarious practices in contemporary art by Anna Dezeuze
Categories: Art History